How Utterly Absurd!
Trying to interpret the political and economic events of the last few weeks, I am reminded of my German classes, in which I struggled to decode German texts that were written in the style of the theatre of the absurd.
Trying to interpret the political and economic events of the last few weeks, I am reminded of my German classes, in which I struggled to decode German texts that were written in the style of the theatre of the absurd. Although many of the first playwriters to work in this genre stemmed from France, and drew upon the existentialist philosophy of Albert Camus, the full range of such authors eventually extended across Europe and the United States. They included playwriters such as Eugene Ionesco, Jean Genet, Edward Albee, and Frederic Durrenmatt, among others.
What constituted them as a group was their shared belief that the world–as it appeared in the wake of the Second World War–was meaningless. Mirroring this perspective, they used the tools of irony and absurdity to make their case theatrically.
While studying German, the absurdist play that impressed me most–and the one that readily comes to mind today–was Romulus the Great, written by the Swiss playwright Frederick Durrenmatt. Described as a non-historic, historical comedy, Romulus der Grosse takes place in the last year of the Roman Empire, when Rome was being overrun by the Ostrogoths–germanic barbarians from the north (476 A.D.). The chief protagonist, the Emperor Romulus, is portrayed as being disinterested and passive in the face of on-coming disaster, preferring to cater to the needs of his chickens rather than the needs of his citizens. Thus, when the leader of the invading troops offered to spare Rome in exchange for the hand of Romulus’ daughter, the Emperor turned down the proposal with alacrity. As his family and colleagues call upon Romulus to take action against the barbarians, he refuses, instead staving the Ostrogoths off with plucked gold leaves from his crown. His wife, daughter, and key members of his entourage flee on a ship, only to die at sea in a raging storm. Romulus, the only survivor, remains in Rome, steadfast in his passivity. How absurd!
Reading this play, I was grateful when my German Professor–whose name, unfortunately, I cannot recall–provided some meaning to this meaninglessness. As he pointed out, all of Durrenmatt’s plays and short stories are based on an anti-hero–that is a person who, while appearing to be a cad, or mad, has some redeeming graces. As interpreted by Durrenmatt, Romulus is just such a person; presenting himself as unpatriotic, unsympathetic, diffident and disinterested throughout most of the play, Romulus is no fool. Believing the Roman Empire to be decadent, corrupt, and out of touch with its changing environment, he looks to his invading neighbors (who wear pants as opposed to robes) to bring modernity to Rome.
Reckoning with recent current events, which are so out of the ordinary, I wonder: Could President Bush be an anti-hero, much like Romulus? If so, what might be his redeeming graces?
Could President Bush be an anit-hero, much like Romulus? If so, what might be his redeeming graces?
I can assure you, I am no fan of President Bush, often questioning throughout his administration whether he really had his wits about him. But, then again, I do not think he is mentally deficient. What might make him an anti-hero? Well, as the Washington Post reports in its story Bush’s Shifting Ideology: 2nd Term Markedly Different From 1st. (Saturday, September 20, 2008, p. A 1), President Bush–much like Durrenmatt’s Romulus–appears to have recognized the need for change when faced with disastrous and radically different circumstances. Accordingly–absurd as it might seem–contrary to everything that Conservative Republicans hold dear, Bush has proposed an economic rescue plan that entails the government takeover of some of the Nation’s largest and most influential financial firms, at a cost that surpasses the budget of the Pentagon. Moreover, just as Romulus’ cohorts were befuddled by his behavior, and urged him to take a stand on behalf of the empire, many Republicans today are perplexed by the lame duck president’s suddenly taking a stance so at odds with their entrenched ideology. As former House Speaker Newt Gingrich (R-Ga) characterized the situation:
We have now launched big-government Republicanism. If we saw France do this, Italy do this, we would have thought it was crazy. We would have had pious speaches about the folly of bureaucrats running businesses. (Washington Post, September 20, 2008, p. A10)
Of course, the case of Romulus and Bush are by no means parallel in every detail. Romulus strives to bring about change by destroying the empire; whereas Bush is trying to save the country by challenging the Republican ideology. For me, what makes Bush a potential anti-hero is that, much as in ancient Rome, despite all the incentives to fall back on simplifying ideological cliches, which appeal to the voting public, President Bush–of all people–has finally acknowledged that the world is just not that simple.
Students often ask me how the literature that we read in class relates to the real world that they inhabit. Sometimes it is difficult to explain–so I say, just wait and you will see. For it is only now, some forty years later, that I can appreciate how much my German Professor, and his interpretation of Durrenmatt, has meant to me.





