Oh NO! I can't believe it.

Early in the morning, the day of the first snow, I pushed my nose against my ‘doggie door.’ Nothing moved. So I pushed with my head. But again it wouldn’t budge. So I waited patiently until my Master came downstairs and tried his hand at opening the backdoor leading out to the deck. He pushed and pushed, but it gave way only a few inches. I could hardly believe my eyes. The snow, which was flush with the door frame, rose up about three feet, if not more. From my lowly perspective, all I could see was the sky!

How to hibernate. . . lorimoon.files.wordpress.com/ 2009/03/hibernat.

Our social life only recommenced with the shoveling of snow. Having overcome their awe at the situation, all of the neighbors, and of course their dogs, converged in our street to shovel the snow, and clear a path for cars and pedestrians alike. I finally got to engage with my friends Carla and Roxy, who live across the street. With the streets passable, we could take our walks again. But it wasn’t quite the same.

A new beginning

Notwithstanding all of the communication technology in our house, I have come to think my Mistress also found our imposed enclosure somewhat stressful. In particular, I think that she is missing her classes. While she often tells me to “stay, sit, and come”, she rarely lectures me about intellectual matters. These days, however, as she walks with me through the snow, she tells me about the ‘social capital,’ that is being developed as neighbors join together to shovel. Noting the people who don’t shovel their walks, but who shovel out their cars, she references Langdon Winner’s account in the Whale and the Reactor of how the pedestrian and the auto driver perceive the world differently. As we slip and slide across the ice, she asks me what Langdon Winner might say about people who fail to shovel their sidewalks. And of course, as we meander in and out of the snowbanks, looking for a crossway, she talks about the importance of architecture and how the snow has restructured our interactions.

Yesterday, we saw the ground. Hope springs eternal, as they say.

On Technorati: A dog's life, Langdon Winner, social capital, the big snow, The Whale and the Reactor

My Muse Sparky

As in all creative efforts (Austin 2003), this decision was, to a large degree, a matter of chance.  Initially, I had planned to teach a course on networks and cooperation–a topic that, with hindsight, seems relatively bland. However, flying home from a trip to Utah, I began reading Keith Sawyers insightful book Explaining Creativity: The Science of Human Innovation. Deflating prevailing myths that circumscribe present-day thinking about creativity, Sawyer lays out the case for viewing creativity as an emergent, collaborative process, in which the whole is far greater than the sum of the parts.

My heart raced, as thoughts of complexity, networks, and emergent processes came to mind.

Reading Sawyer’s book, I was enthralled. My heart raced, as thoughts of complexity, networks, and emergent processes came to mind. I intuitively knew that a course on creativity would bring all my interests together in the context of complexity science. However, gut feelings aside, I knew very little about the subject of creativity. Nonetheless, I eagerly signed up to teach the course.

Operating in the dark, I delved into whatever literature I could find, contributing significantly–I think–to Amazon’s profit margin. There I sat, in my office chair, piles of books strewn all around me, in the vain hope that I might absorb some of the content through osmosis. To no avail! So I began to read, and read and read–books about neuroscience, personality disorders, flow, improvisation, serendipity, audience reactions, the new, creative economy, Florence and the Di Medici, and more.

Old Woman Reading

Digesting all of this reading, I learned that creativity required passion and hard work in mastering a field; an open mind able to tolerate ambiguity; a willingness to take on risk, and to persist, even as an outsider; curiosity when confronted with anomalies; as well as flexibility to capture the opportunities afforded by chance and serendipity. And so, inspired by this charge, I moved on. . .

When the time came for me to put together the syllabus, I had a skeleton of an idea. Building on the work of Sawyer and his mentor Mihaly Csikszentmihali, I looked at creativity as an ongoing, iterative process in which the creator is but a single element within a larger system, which includes the creator, a field, and an authoritative domain. My hope, however, is to go beyond Csikszentmihali’s characterization of a system, and to flesh out each element–beginning with the brain and extending outward to the cultural arena–showing how each element is itself a complex system, nested and linked within a larger complex system.

My syllabus is, however, a working document at best. It serves, merely, as a starting point and set of guidelines for a classroom improvisation. My students are highly creative, each in their own ways. They not only bring their own diverse experiences to class; they also actively participate in developing the evolving narrative. Truly, the whole is greater than the sum of the parts. Or so says my dog Sparky!

On Technorati: complexity, creativity, Csikzentmihali, James A. Austin, Keith R. Sawyer, the muse

Happy New Year from Lake.Sider

While this is an annual event for us, I was struck on this occasion by the passage of time.

I was struck by the passage of time. 

The old song, “
Ring Out the Old, Ring in the New,” came to mind, and hearing the words resound in my brain, I was taken aback. The tune goes like this:

Ring out the old, ring in the new,
Ring, happy bells, across the snow;
The year is going, let him go;
Ring out the false, ring in the true.

Perhaps my surprise reflected my feelings about aging and the totality of life. For unlike Father Time, I am not prepared at my ripening age to take my leave as yet .  In this, I am reminded of my mother who–especially as she got older–would recite Lewis Carroll’s poem from Alice in Wonderland, “You Are Old Father Williams.”, as if to mock her fate and give herself permission to simply be herself.  As each day passes, I come to appreciate the poem’s significance–as well as my mother–more and more.

You are old, Father William’, the young man said,
   ‘And your hair has become very white;
And yet you incessantly stand on your head –
   Do you think, at your age, it is right?’

‘In my youth’, Father William replied to his son,
   ‘I feared it might injure the brain;
But, now that I’m perfectly sure I have none,
   Why, I do it again and again.

Nonsense poems are no longer in vogue. So I wonder, what might my mother say, were she here today. How would she phrase her pleasure in being alive.? Assuming that she had read all about complex systems, she might have taken great pleasure referencing all the non-linearities that such systems afford. As well, she might have pointed to the works of Brian Arthur and Stuart Kauffman, recalling that life is full of synergies and increasing returns, And, of course, she would have mentioned fat tails–that is to say how the richer get richer, and the elders have more fun!

So before lifting my glass and having another sip of champagne, I will take a brief respite. The first thing I will do is to stand on my head. Then I will ride down the fat tail slide. Want to come along? All Aboard!

On Technorati: aging, Btian Arthur, complexity science, fat tails, increasing returns, Lewis Carroll, network economics, network externalities, New Years, nonlinearity, You Are Old Father Williams

Let’s just say I’ve been missing in action.

Hmm…. Looking back–many years now–I am reminded just how chaotic the pre-Christmas season has always been. As a graduate student at Columbia University, for example, I viewed the Christmas break as a time to complete those last, nagging term papers. Late Christmas Eve day, I would pack my books, and race from my apartment on 113th Street down to Fifth Avenue, where the stores were all decked out in their dazzling holiday fare. Inside Bergdof Goodman’s, I was one of the few, remaining customers, scurrying from aisle to isle to take advantage of last minute sales.

Bergdorf Goodman courtesy of Wikipedia

Going home for the holidays became, for me, a yearly event, that is, until 22 years ago, when my mother died–believe it or not, on Christmas Eve. (One might say, she knew how to make an exit!) But some holiday occasions and trips home were more memorable than others.

I vividly recall, for example, the ride home on Christmas Eve, when my son Stephen was about five years old. It was a cold night, with snow and sleet intermittently falling as we made our way to the 168th street bus terminal–a dingy, dirty place that reeked of a distinctly unpleasant odor. It was around 6 PM when we boarded the bus to Glen Rock, New Jersey the town where I had spent my teen age years. We were about half way there, when the bus suddenly broke down. The cold wind blew into the bus, as the driver paced in and out, trying to determine the nature of the problem. All the while the little heat that was left in the bus began to dissipate. Looking for a way to entertain my son during this unfortunate hiatus, I pulled out a book. It was Farley Mowat’s The Boat Who Wouldn’t Float, an uproarious and often touching account of the author’s valiant–but more often than not unsuccessful– efforts to refurbish a boat and sail it from the shores of Newfoundland to Montreal.

Ignoring the ironic parallels between the book’s plot and our own situation, I began to read. I had heard that Mowat’s stories appealed to both children and adults alike, an observation that certainly proved true in this instance. So compelling was the story, others began to gather round to hear the tale. As the riders became engaged not only in the story, but also with each other, time flew by. We quickly forgot about the chill, and long before I had finished reading, a new transit bus came to our rescue. Luckily we arrived home in time for dinner. Relaxing afterwards, I reflected on what a warm and heartfelt Christmas Eve it had been indeed.

This year was no different, except that instead of visiting my parents in Glen Rock, we spent time with my son Steve, his wife Haley, and my two grandkids, Ben and Sophie, at their home in Millburn New Jersey. Hoping to arrive in time for Christmas Eve dinner, provided this time by my sister Anne, we calculated for traffic and set out early that morning–my husband Brock, my dog Sparky, and me. However, we could never–in our furthest imagination–have anticipated the traffic situation on the New Jersey Turnpike. It was bumper to bumper all the way, with cars creeping along in tandem much as slime mold moves across the forest floor. With cars climbing up our tail, and our dog breathing down our necks, we tried to make the best of the situation.

With cars climbing up our tail, and our dogs breathing down our necks, we tried to make the best of the situation.

So, having chattered about every subject under the sun, we pulled out and played our tapes of the Christmas Revels. Reminiscing about each delightful production, we suddenly found ourselves in Millburn, where we enjoyed what my husband Brock describes as a Norman Rockwell Christmas.

Perhaps it is only normal that my memories of Christmas Past should focus in part on the journey home. After all, as it is written, the first Christmas entailed Mary and Joseph’s difficult journey to Joseph’s birthplace in Bethlehem, as well as the three wise men’s arduous travels, following the star, to find them there. So, looking back, and keeping the Christmas story in mind, I suspect that all that hustle and bustle entailed in preparing for and journeying home for the holidays, not only enhances the value of achieving the end goal–if only a spaghetti dinner; sometimes, it can have its own inadvertent rewards.

With that said, I wish you many delightful journeys in the New Year!

On Technorati: Bergdorf Goodman, children and grandchildren, Christmas dinner, family, Farley Mowat, Glen Rock New Jersey, holiday season, Millburn, New Jersey, New Jersey Turnpike, on-line shopping, The Boat Who Wouldn't Float

come with me on a Magic carpet...from Lollygagging

Only a few weeks ago, I travelled across the globe from New York to Beijing in half a day. I felt like I was on a magic carpet–here one minute, and there the next. To be sure, this was not the first time I had engaged in flights of fancy. In my childhood, such experiences were commonplace. You see, my home on Lafayette Avenue, in Hawthorne New Jersey, was literally just a hop, skip, and jump from our local library. So it was there that I spent many afternoons, transporting myself to far away places via the books on the library’s shelf.

Three books, in particular, inspired my Wander Lust as well as my life long interest in learning about other cultures. All about China, they included Oil for the Lamps of China by Alice Tibert Holbart, and Pearl S. Buck’s The Good Earth and The Imperial Woman. The latter book, which recounted the story of how a concubine became the Dowager Empress, raised the librarians’ eyebrows, who then reported to my father that I was reading books far too advanced  for my years.

the librarians reported to my father that I was reading books far too advanced for my years. 

But it was not my father who brought an end to my China fantasies. Always supportive of any efforts on my part to learn, my father assured the librarians that I could handle emotionally any book that I could read.  The damper on my literary choices resulted, instead, from the political reaction in the United States to the Yalta Conference, Joseph McCarthy and the Red Scare.  China was no longer an acceptable agenda.

It was only in the late 1980s that I finally got to go to Asia–in this instance to Taiwan. Having recently completed the OTA study, Intellectual Property Rights in an Age of Electronics and Information, I was asked to join a group of lawyers from The Asia Foundation, to speak to the justices of the Taiwanese Supreme Court about intellectual property rights. No matter that OTA’s position was in opposition to those of the other lawyers; for the Agency’s report was, in fact, strongly opposed to copyrighting software. Before taking off, I asked my son what he wanted me to bring home from Taiwan–imagining, of course, some kind of inspiring cultural object. I’d like a counterfeit Rolex watch, he said, in all sincerity. At a loss to explain how this might belie the purpose of my trip, I was resigned to disappointing my 13 year old son.

I’d like a counterfeit Rolex watch, he said, in all sincerity. 

Arriving in Taipei, I was in for a shock. Where was the China of Pearl Buck, I asked myself? Lit up in neon lights, Taipei rustled and bustled like 42nd street. But this was not my only surprise; although I failed to convince my colleagues and the Supreme Court Justices that copyright protection was inappropriate for software, I did achieve my secondary objective. I managed to purchase not one, but two, counterfeit rolex watches–one for my son and one for me! How, you might ask, did this happen? It was out of the blue. Walking back to the hotel one day, a man accosted me: “Lady, do you want to buy a Rolex watch,” he asked? I hesitated in disbelief, but, before I could reply, he gracefully guided me inside a doorway, and then through another, into a room where counterfeit watches, including all the name brands, were neatly laid out, one next to the other, across the entire room. That night our group went out to dinner. To my surprise, we were accompanied by an Asian representative of the US Chamber of Commerce, Worse yet, I was wearing my counterfeit Rolex, and –of all things–he sat right next to me. I managed to eat my dinner with my right hand and the watch hidden in my lap, while keeping a conversation going, even as my food spattered every which way. The axiom is true; Crime doesn’t pay.

Years after my Rolex had petered out, I had the good fortune to return to China, this time to speak to the Global Forum, on the subject of the digital divide. My colleague and friend Tonya accompanied me. We both were eager to wander the streets and engage directly in the local life. And so we did, far more than we had anticipated. One evening, we went for a stroll in search of a ‘bar’ where we might get a beer. As we sat there, drinking our beers, we noticed that most of the clients were male.

“Sorry, no money, no honey.” 

Naive as we were, we did not realize that we were in a red light enterprise until one of the bar maids, who had been playing cards with a young man across the bar, told him most emphatically: “Sorry, no money, no honey.” Not long after, Tonya and I strolled back to our hotel, but not before we got a photo of the bar door, a signal we had missed when entering, in our eagerness to find a bar. So much for local culture.

Three weeks ago I returned to China; this time to Beijing to make a presentation on the challenges of global standard setting. Fortunately, I was able to mix business and pleasure–for my student Ming, who had taken a semester off, met me at the airport, and guided me around the city, chatting all the while, to places and back streets I might never have otherwise seen. But best of all was the evening I spent with Ming’s  family, which was–to say the least–true quality time.  After so many years, I was grateful to engage in an authentic and intense dialogue with a real Chinese family, each member so delightful and fascinating.   It was a dialogue that I hope will go on for many years to come. As you might imagine, after such a special time, there were tears in our eyes when we said goodbye.

Flying home I reflected on my life-long fascination with China. As I visit China, and engage with my Chinese students, I am struck by the many similarities among our peoples. Pearl Buck seems but a shadow in the past. Could it be that it is the remembrance of me, at age 11, sitting on the floor in the library on Lafayette Avenue in Hawthorne New Jersey, the tantalizing books arrayed on the shelves above, that is today what is so long ago and far away.

On Technorati: air travel, China, Hawthorne, intellectual property rights, Joseph McCarthy, New Jersey, Oil for the Lamps of China, Pearl Buck, public libraries, Red Scare, Taiwan, The Asia Foundation, The Good Earth, The Imperial Women, Yalta

String Theory in Practice? from photo fiddler

Why do I need to learn theory? I want to be a practitioner. So said one of my students in my class on Networks and International Development. A good question, to be sure, and one which–as I could tell by their nodding faces– many of my other students were pondering as well.

Why do I need to learn theory? I want to be a practitioner. A good question to be sure! 

My first response was to draw upon James Rosenau, and his eloquent justification of theory, provided in the introduction to his book, The Scientific Study of Foreign Policy (1989). As in my case, questioning students had plucked a chord in him, inspiring Rosenau to spell out the benefits and approaches entailed in employing theory as a basis for studying empirical questions. Rosenau makes, what to me are, two really important points. The first aims to help the student think theoretically: practice going up the ladder of abstraction, he says. Ask yourself what your concern is an instance of. As Rosenau notes, rarely do we become interested in isolated events; more often than not, our puzzles are instances of more generalizable, abstract phenomenon–we just haven’t thought about them this way. The second point is just as inspiring. Theory, says Rosenau, is fun.

I couldn’t agree more. Of course, I am the first to acknowledge that theories are essential as a means of organizing ideas, providing coherence to an argument, and allowing comparisons among diverse situations. But theories are also, and -as importantly–capsules of prior knowledge, a shorthand–if you will–of the wisdom of the ages. Nonetheless, theories are not to be accepted at face value; rather they are to be challenged, from every possible perspective, as in a game of skill.

Theories are to be challenged, as in a game of skill

Hence, I like to think of theories not in terms of their truth, but rather in terms of their potentiality. What do they suggest to me, which I might have overlooked. Just as when I go to a clothing store, and see all of the outfits laid out on a rack, I try theories on for size. Does the dress fit? Does it enhance my looks? Is it consistent with the rest of my wardrobe? If not, I leave it on the rack for someone else to fill it out.

I wonder, in fact, what would I do without theory. For example, tomorrow I leave for Beijing to deliver a presentation on Standard Setting: Meeting the Global Challenge, at a conference sponsored by the National Bureau of Asian Research. While I started out with a general idea for the presentation, I was struggling with the question of how I might apply my analysis to the specific case of China, and–more specifically– to developing an appropriate standards strategy that China might pursue.

As good fortune would have it, our reading for class was Sidney Tarrow’s New Transnational Activism–the very same book that provoked my student’s question about theory. But, herein was the clue to my puzzle: Tarrow’s theoretical discussion suggested that the architecture of our increasingly international society provides opportunities for newcomers to exercise agency in contexts/interstices that are as yet underdeveloped. Based on my analysis of global standards, and Tarrow’s theory about transnational activism, I could identify–as depicted in the table below– just where the standards opportunities for China might lie.

The pudding, it seems to me, proves the point. Theory can, indeed, serve very practical needs!

On Technorati: China, economic development, global standards, James Rosenau, ladder of abstraction, Tarrow, why theory

Lifehack from manu contreras

Having assembled together at Lake Hawthorne on the Forth of July to welcome in the summer, so too we gathered in early September, along with the katydids, to bid it goodbye. As in all such comings and goings, there were rituals involved–in this case, rituals designed to build social capital and hold the community together over the long winter months.

As in all such comings and goings, there were rituals involved.

The weekend was chockfull, to say the least. An evening cocktail party mellowed us before the annual business meeting on the following day, when we joined in a circle on the meadow to discuss and debate the thorny issues entailed in jointly managing a 450 acre commons. A community picnic followed, along with the raffling of prizes, boat races, and more. But, for me, the main event was the treasure hunt!

Let me emphasize, this was no ordinary treasure hunt. The groundwork was laid the evening we arrived, when my son Steve greeted us by quickly ushering us out the door. Armed with a chest of jewels (or so they seemed to the innocent eye), he explained the plan: on the next day, the lake children would search for the treasure by following clues, written by Steve in elaborate verse, and deposited in significant sites around and in the lake–Sunset Rock, The Ice House, Table Rock, etc. As we followed Steve into the woods, we came to the point where four trails converged. Depositing a clue on the branch of a nearby tree, Steve then paced out forty steps to the right, where he buried the chest, marking the spot with crisscrossed deer bones shaped as a cross. Brock and I, feeling depleted after our long drive, headed back to the house for a swim and a cocktail, while Steve traipsed on, depositing the rest of the clues.

The real fun began the following day, when the children, escorted by a few adults, set out together in search of the buried treasure. They were not alone. Along the route were a few of Steve’s friends who, dressed in unbelievable costumes, helped interpret the clues.

Fortune Teller in the Attic from Brock Evans

It is times like these that make farewells so bitter sweet. The more enjoyable the experiences, the harder it is to bring them to a close.

Wrangler Jeans From Way Out Texas

On Technorati: Brock Evans, Commons, community building, endings, Lake Hawthorne, new beginnings, saying goodbye, social capital, treasure hunt

Day of Reckoning courtesy of Erik Kolstad

Driving to the airport to catch a plane to Utah, where my husband Brock was scheduled to have his semi-annual multiple myeloma check-up at the Huntsman Cancer Institute, I was reminded of Shakespeare’s famous quote:

A coward dies a thousand deaths a hero dies but one.

Perhaps then, I am a coward: for although we have been undergoing tests for almost seven years, each time we do so, my heart is in my throat.

for although we have been undergoing tests for almost seven years, each time we do so, my heart is in my throat.

Arriving in Salt Lake City, we settled into our hotel, our headquarters for the three-day evaluation procedures. The staff of the Cancer Institute inspires confidence. My husband–a former Marine–compares it to an elite military unit. I concur; but I would add that the people at the Huntsman center are as caring as they are competent. Clearly, they are accustomed to working with people on the precipice of death.

Day one is devoted to tests–urine collection, a pet scan, a bone marrow aspiration and extraction (ouch!), as well as a series of blood draws. Even though some of the procedures cause considerable pain and discomfort, our anxiety is kept in check by our efforts to adhere to the tight schedule. Over the day, patients move–as if playing a game of musical chairs–from one medical station to another. Reflecting the various stages of the disease, some are in wheel chairs; some wear protective masks; while others don a variety of headdresses. As we repeatedly encounter each other, we begin to bond, becoming distracted by conversation and gaining confidence and support from our shared, death-defying stories. Meeting others who are in the same boat, we are reminded that we are not alone. Never again can we say, why did this happen to us? Touched not only by the situation at hand, but also by the openness and intimacy with which we engage each other, I sense I am in a holy place, experiencing something sacred.

Raising the Roof At Ely Cathedral, from antonychammond

On the second day, however, our fears surge, driving our blood pressures to new highs.

On the second day our fears surge, driving our blood pressure to new highs.

While grateful that the day of poking, pricking, and prying is behind us, we feel helpless in the void. All we can do is wait, asking ourselves what if? and trying not to let our imaginations run away with us. Afraid of only exacerbating each others concerns, we deny our worries, turning to television for distraction. By evening, mounting tension shatters the silence. Holding hands, and lying side by side on the king-sized bed, we let go, sharing, yet one more time, our thoughts about life and death. Through tearful eyes, I describe to Brock my feeling that I am a prisoner in a room filled with echos of death, from which there is no escape. He reassures me, noting how we have transcended this situation before and will do so again. As he says, whatever happens, in whatever time we have left, we will spend it painting a beautiful mural on Death’s chamber wall, depicting our truly wonderful lives. With that thought in mind, I fall asleep.

Finally, the day of reckoning arrives. We meet our doctor, Guido Tricot, to learn our fate. Much like Heinrich Schliemann searching for the lost city of Troy, Dr. Tricot has been vigilant in his search for a cure for the dread disease, multiple myeloma, considered only seven years ago to be fatal. Over the past few years, he has changed this prognosis. Employing a protocol that entails carefully timed tandem stem cell transplants, together with a variety of mysterious chemo potions, Dr. Tricot has saved any number of lives. What about us? Reviewing the data from our medical tests, he turns to us, and in his gentle, dignified manner, announces the results. “Perfect, couldn’t be better, we are very pleased,” he said. Brock and I are also elated, as well as very grateful.

Red Canyon, Utah: The Land of the Gods, from Linda Garcia

What next? How to celebrate? Having paid our due to the doctors, we are off to Utah’s canyon country to pay our respect to, and play with, the Gods.

On Technorati: Brock Evans, complexity, Guido Tricot, Huntsman Cancer Institute, multiple myeloma, playing with the Gods, Romanticism, Salt Lake City, surviving cancer, Utah canyons

Grandson Kaydon Playing Around (by Sarah Moffett)

In today’s scandal-ridden environment, one might think that the title of my blog refers to the recent tales of our politicians’ sexual machinations, which reporters and bloggers have so voraciously been fleshing out (no pun intended). In fact, the inspiration was wholly otherwise. 

It so happened that this adorable picture of my youngest grandson, Kaydon, arrived just as I was reading Johan Huizinga’s Homo Ludens (1971). In this book, Huizinga makes the case that play is not a reflection of culture, but rather culture is the outcome of play. As evidence, he points out that all animals play, even though no one teaches them the rules of the game: to the contrary, the rules–that is to say cultures–evolve in the course of the play.

Playing elephant calves

An interesting argument–but for me, the picture of Kaydon, with the spoon affixed with oatmeal to the end of his nose, was more telling. I could imagine his mother Sarah laughing at the silliness of it all, which made me wonder, what is this game? Don’t all children play it? How was it invented? As well, who in this situation is making up the rules–Kaydon or his mother? Don’t you suspect it was both?

I had to wonder, where did this game come from; who is making up these rules?

It wasn’t much later that my grandson Ben tramped through the woods to our porch, clenching a water pistol in his fist, and looking suspiciously all around. What’s up, I asked? “Nothing much,” he said. “We are playing Cops and Robbers.” Having fun, I continued? Oh, it’s okay, he said. The problem is that Brody is breaking the rules. He’s supposed to be a Cop, but he is playing on the Robbers’ team. Hm, I thought–what rules? Where did they come from–culture? Which comes first, the culture or the game? The truth be told, they must emerge, co-evolving together.

Light reading. The lightest of them....(courtesy jamwithsand)

As one might deduce from the content of my blog, as well as the previous one, I continue to play around with my colleague Garrison Le Masters trying to find a good way to relate standards to play and virtual worlds. For my part, it requires testing the waters of cultural studies, reading outside my field, and translating an entirely new vocabulary into something that I am familiar with. So far Garrison and I seem to be converging around some of Durkheim’s ideas: For Garrison, it’s the notion of wholeness, integration, what he calls the sacred. For me, its quite similar. I am drawn to the concept of emergent holism–the outcome of symbolic interaction (R. Keith Sawyer)

For now, we are still thinking it through–book by book. In the meantime, thank goodness that I have my grandchildren to help me sort out what play is really all about! .

On Technorati: animals at play, books about play, coevolution, Durkheim, grandson Kaydon, holism, Homo Ludens, Huizinga, play, R. Keith Sawyer, sexual politics, standards, virtual worlds

Video Game Collage (courtesy bobfoldfive)

On the recommendation of my colleague Garrison Le Masters, I brought the book, Dionysus Reborn: Play and the Aesthetic Dimension in Modern Philosophical and Scientific Discourse, by Mihai I. Spariosu, to read during my vacation at Lake Hawthorne. Garrison and I had spent many hours over the last few years comparing our common interests through different disciplinary perspectives–he from a cultural studies perspective and I through the lens of social science. Often engaged in these endeavors, we decided to collaborate on a project that would build on both our strengths–a paper that explored whether the criteria typically used for evaluating standardization at the lower levels of ICT networks served well for applications at the highest levels such as, in our chosen case, video games and virtual worlds. We plan to present the paper at this year’s Telecommunication Policy Research Conference (TPRC).

Not knowing very much about the subject of play–at least from an academic perspective–I decided to get up to speed by reading Spariosu. Despite all of the playful moments in my childhood–catching turtles, trying to beat the boys at king of the mountain, acting out various fantasy roles such as homemakers, storekeepers, librarians, and even fairy queens transported by eggshells in a magic kingdom–I had never systematically thought about play; at most I viewed play as an adventure, or exploration. Thus, I often associated play with excitement and risk (even if imaginary); for in my experience a playful romp might start out innocently enough, but eventually it could lead to trouble–as, for example, when as children we developed an elaborate plan to track down the rumored ghost in an abandoned house down our street, only–upon entry–to be greeted by the police.

By any measure, reading Dionysus Reborn here on my porch abutting the lake–where once I listlessly day dreamed reading Ivanhoe, Lorna Doon, and Vanity Fair, is anything but play. Rather, it is extraordinarily hard work. I am lucky if I can read fifty pages in a day. Only now do I understand why my cultural studies colleagues assign such a limited number of pages to their students. “Its all about interpreting the text,” they say. I must agree! The problem is not so much the numerous references in German and French–I can manage these. No, it’s the long unfamiliar latin-based English words, which make references to references on top of even more obtuse references.

Yellow Wheel Barrow (David Cooke)

To proceed I have to follow my father’s advice to me when I was learning to read–substitute the word wheel barrel for every word I can’t understand. No surprise, then, that I am beginning to think the subject of this book is more about gardening than about play. At the end of the day, I ask myself whether Garrison might not be playing with me.

At the end of the day, I ask myself whether Garrison might not be playing with me. 

It is on this basis that I have decided to become more light hearted about this whole affair. I will use my blog to explore this subject further, that is to say, to play with some ideas. As in all games, It’s risky, but it also should be fun. Where do I stand at this point? From my readings to date, I understand there is an on-going historic conflict between a pre-rational, free-wheeling notion of play (as characterized by Schopenhaur, Nietzsche, Heidegger, Deleuze and Derrida) and a more rational conception of play (as understood by Plato, Aristotle, Kant and Schiller). Moreover, these two perspectives parallel what many past ‘thinkers’ believe to be an underlying conflict between the forces of chance vs. those of necessity. I have an inkling that this conflict can be reconciled within the framework of complexity theory and Stuart Kaufman’s concepts of fitness levels and fitness landscapes, which in turn can also be linked to standardization and standards. But, to sort it out will take a lot more playing on my part.

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